Mirjam Tröster

Tr%c3%b6ster 2021 04

Programme coordination (M.A. Sinology, Modern East Asian Studies, study abroad)

  • Programme coordinator M.A. Modern East Asian Studies (MEAS)
  • study abroad coordinator (for the ICES programme, please temporarily contact Grete Schönebeck)
  • eLearning representative
  • coordinator M.A. Sinology (please temporarily contact Grete Schönebeck)

Office: Juridicum, Room 719
Phone: +49(0)69/798-28795
Email: m.troester(at)em.uni-frankfurt.de
Consultation hours: Thursday 15:00 to 17:00 and by appointment (virtual form); for video consultation hours on Thursdays, please register via OLAT

German version




Publications, conference presentations and events

PUBLICATIONS

  • [in preparation]. Translocal Theatrical Touring from Taiwan, Hong Kong, and Macau in China.
  • 2021. The City and the Artist: Alice Theatre Laboratory’s Seven Boxes Possessed of Kafka in Shanghai. In Asian City Crossings: Pathways of Performance through Hong Kong and Singapore (Routledge Advances in Theatre & Performance Studies), ed. Rossella Ferrari und Ashley Thorpe. London: Routledge.
  • 2020. Selfish Faint Hearts, Ardent Fighters, and Gallant Heroines? – Characters in Plays about the Taiwan Republic. In Discourses of Weakness in Modern China: Historical Diagnoses of the ’Sick Man of East Asia’ (Schwächediskurse und Ressourcenregime/ Discourses of Weakness & Resource Regimes), ed. Iwo Amelung, 409-462. Frankfurt & New York: Campus.
  • 2013. [co-edited with Eike Großmann]. Gesellschaft, Theater & Kritik: Aktuelle Themen auf den Bühnen Japans, Chinas und Taiwans (Frankfurt East Asian Studies Series; 4). München: Iudicium.
  • 2013. [with Eike Großmann]. Einleitung. In ibid., 7-24. München: Iudicium.
  • 2013. Trauer um Taiwan: Zwei Produktionen von Katherine Hui-ling Chou. In ibid., 87-107. München: Iudicium.
  • 2012. [Tong Minwei]. Guilaile haishi gui lai le? Yi jinnianlai Taiwan wutaiju de huaixiang yu huijia de zhuti wei li (Homecoming or ghostly arrivals? Home-longing and homecoming in contemporary Taiwanese spoken drama productions). In Xin shiji Huawen xiju yanjiu di-ba jie Huawen Xijujie (Aomen 2011) lunwenji (Studies on Chinese-language theatre of the new century – Proceedings of the 8th Chinese Drama Festival (Macau 2011)), ed. Mok Siochong, 222-230. Macau: Aomen Huawen Xiju Xuehui.
  • 2011. Eine Schrift für viele Stimmen? Konzept und Bühnenwirklichkeit des huawen xiju. In Sprache und Wirklichkeit in China (Jahrbuch der Deutschen Vereinigung für Chinastudien (DVCS)), ed. Christian Soffel, Daniel Leese and Marc Nürnberger, 273-287. Wiesbaden: Harrasowitz.
  • 2009. Conference report‚Cultural Power Asia – Producing Culture, Building Identities: Interdisciplinary Perspectives on Asia’s Emerging Cultural Power. Internationale Konferenz, Interdisziplinäres Zentrum für Ostasienstudien, Frankfurt, 13.-15. November 2008’, Asien 110: 114-116.
  • 2005. [translation, with Regine Reim]. Regeln der richterlichen Berufsethik der VR China (Zhonghua Renmin Gongheguo faguan zhiye daode jiben zhunze), Zeitschrift für chinesisches Recht 12,1: 46-54.


CONFERENCE PRESENTATIONS AND EVENTS

  • 28/02/2020. “Der Einsatz von Wikis in unterschiedlichen Unterrichtsszenarien im Fach Sinologie”, China-AG Lehre, Goethe University Frankfurt
  • 28/06/2019. “Taiwan Theatre's Journey Across the Strait: Challenges and Opportunities”, Review and Prospective: The Challenge and Opportunity of Taiwan’s Past, Present and Future, 1997–2017, Taiwan Studies Programme Conference 2019, University of Nottingham
  • 09/06/2018. Participation in the panel “Welche Prüfungsanforderungen und Prüfungsformen sind im Hinblick auf die Vermittlung fortgeschrittener Lesekompetenzen sinnvoll? Wie ist der Einsatz standardisierter Prüfungen (HSK, TOCFL) in dieser Hinsicht zu bewerten? Erfahrungsaustausch - auch über die Frage der Vergleichbarkeit von TOCFL und HSK”, Fachverband Chinesisch in cooperation with dem Confucius Institute Frankfurt, department of Sinology, Goethe University Frankfurt am Main
  • 09/09/2017. “Theatrical Touring and/as Exchange: Hong Kong Theatre Productions in Mainland China”, Hong Kong in Transition: Asian City-to-City Collaboration and Performing Arts Exchange, 1997–2017, SOAS, University of London
  • 13/11/2016. “Von Häusern und Reisenden: Ortsspezifisches Theater in Macau”, XXVII. Annual convention of Deutsche Vereinigung für Chinastudien e.V. (DVCS), Goethe University Frankfurt
  • 27/08/2016. “Demolishing Neighbourhoods, Establishing Communities of Sentiment: Touring Productions from Taiwan and Macau in Mainland China”, 21st Biennal Conference of the European Association for Chinese Studies (EACS), St. Petersburg State University
  • 10/06/2016. “Catalysts and Stumbling Blocks: Translocal Touring of The Village”, Taiwan Studies in Trans* Perspectives: Transdisciplinary, Transnational, and Transcultural, NATSA Annual Conference, University of Toronto
  • 06/05/2016. “Visualising Borders on Stage: The Case of Theatrical Touring across the Taiwan Strait”, Culture, Capital & Communication: Visualising Chinese Borders in the 21st Century, Manchester School of Art
  • 05/12/2015. “Selfish Fainthearts, Ardent Fighters, and Gallant Heroines? – Characters in Plays about the ‘Republic of Taiwan’”, Disourses of Weakness in Late 19th and Early 20th Century China, conference of SFB 1095 'Schwächediskurse und Ressourcenregime', Goethe University Frankfurt
  • 12/07/2014. “Taiwanese Theatre’s Translocal Connections: The Use of Metatheatre in Taiwanese Theatrical Productions Touring Mainland China”, Taiwanizing the World? Positioning Taiwan: Participation – Integration – Impacts, Friedrich-Alexander-University Erlangen-Nuremberg
  • 06/07/2014. Poster presentation on studying in China and Taiwan, 'Starker Start ins Studium', Goethe University Frankfurt.
  • 17-18/01/2014. Introduction to Huangliang yi meng, Gallus Theater Frankfurt am Main
  • 23/07/2013. “Touring Theatrical Productions of Taiwan and Hong Kong in Mainland China: Re-Routing National Imaginings”, annual convention International Federation for Theatre Research (IFTR) 2013: “Re-routing Performance / Re-caminant l’escena”, Barcelona
  • 16/12/2011. “Guilaile haishi gui lai le? Yi jinnianlai Taiwan wutaiju de huaixiang yu huijia de zhuti wei li (Homecoming or ghostly arrivals? Home-longing and homecoming in contemporary Taiwanese spoken drama productions)”, 8th Chinese Drama Festival Macau
  • 27/11/2010. Panel organisation with Sven Kosel. “Past and Present of Japanese Cultural Hegemonies as Mirrored in Popular Culture in Southeast Asia and China”, annual convention Vereinigung für Sozialwissenschaftliche Japanforschung (VSJF), Goethe University Frankfurt am Main
  • 28-29/05/2010. Colloquium and workshop organisation with Eike Großmann. “‘Entfesselte Welt(en)?’ Erlösungs- und Untergangsszenarien im modernen Theater Ostasiens”, supported by Fritz Thyssen Stiftung, Goethe University Frankfurt am Main
  • 28/05/2010. “Trauer um Taiwan – Inszenierung einer gescheiterten Gesellschaft in Katherine Hui-ling Chous ‘Erinnerungsphotoalbum’ (2002)”, Goethe University Frankfurt am Main
  • 28/05/2010. With Eike Großmann. Introduction to “‘Entfesselte Welt(en)?’ Erlösungs- und Untergangsszenarien im modernen Theater Ostasiens”, Goethe University Frankfurt am Main
  • 29/11/2009. “‘Theater in chinesischer Sprache’ (huawen xiju) – auf der Suche nach einer Bezeichnung für den Sprechtheateraustausch zwischen China, Taiwan und Hongkong: Theorie und Praxis”, annual convention Deutschen Vereinigung für Chinastudien (DVCS), Ludwig-Maximilians-University Munich
  • 14/11/2008. Panel organisation young scholars panel. “Cultural Power Asia – Producing Culture, Building Identities: Interdisciplinary Perspectives on Asia’s Emerging Cultural Power”, Interdisciplinary Centre for East Asian Studies (IZO), Goethe University Frankfurt am Main